Space Cola now resides at http://mestaton.wordpress.com
Go there, it's good!
Space Cola now resides at http://mestaton.wordpress.com
Go there, it's good!
Ever since I can remember there has been a debate over the place of women in SF. There are many women who read SF and many women who write it, but far fewer are published. There are many sides to the debate including: women are just not capable of writing compelling SF, or there is an inherent sexism in genre fiction, or not enough women are actually writing 'real' SF.
The first argument is of course utterly rubbish. The second might have some teeth. The third? well it depends on what you consider SF to be. If you are talking 'hard' SF, that which is more focused on stories about real or plausible science and technology and less on philosophical ideas, you may have a point. Though the last two arguments are not entirely true there is something to them.
Why is the first one complete and utter rubbish? well, it's not simply because it's offencive to women writers and belittles their contribution to the genre, it is because it is absolutely false. In my opinion the first known example of western science fiction is Mary Shelley's Frankenstein.
Many consider this to be the mother of classic, gothic, monster horror which is true, but it is also a book about science and technology. Written during the Industrial Revolution it is a warning against the abuse of man's new found knowledge in the sciences and increasing reliance on machines. It poses questions of morality and philosophy. It is the first work of socio-political SF. So, in fact, when the author Sheri S. Tepper says "...science fiction is the genre of ideas..." she is not hypothesising on a certain sub-sect of science fiction. She is making a true statement about the entire genre.
It was my intention to write a very detailed post or series of posts on women who write science fiction and the history of women in SF. Although it is my intention to focus on this issue, I've expanded the idea into writing reviews of books written by women, who write science fiction over at Beyond Fiction run by Mark Deniz and Sharon Ring of Morrigan Books.
My first such review is of Grass by Sheri S. Tepper a stunning work of both ideas and adventure.
I would like to invite the discussion of women's contributions to science fiction and why it's seems so hard to find great female SF writers in print on a regular basis. For my own part I see that there might be some sexism still at play in the genre itself amongst both readers and publishers, however, what I see more is that there is less taste for socio-political science fiction these days than there is for the likes of hard, military and space opera SF. Could this be the reason that women struggle to make themselves known in this genre? This is just a question, a thought for discussion, not an assumption. So if you feel the assertion is wrong, let's discuss!
We could argue about the exact meaning of science fiction. Is it only fiction that includes real science? or is it also fiction with fictional science? Is science fiction a parent genre or is it a sub-sect of fantasy? That's really up to you. If you are trying to get published, you may have to wrestle with the debate a little, but for our purposes in this post science fiction encompasses both fiction about or that includes real science and also fiction that includes anything science related even fictional science.
I like to think I write 'socio-political science fiction', although people don't seem to use that term any more. It's often just called 'soft' science fiction as opposed to 'hard' science fiction which includes lots of real or plausible science. The modern trend is to not subject this kind of fiction to the label of science fiction, but simply to dress it up as literary fiction or some other new brand of fiction that separates it from actual science fiction or fantasy. To me this degrades the genre. I am quite happy to say I write science fiction and leave it at that. I don't really need to declare it as anything else.
In my time I've met people who, although they read fantasy and these other types of 'literary' science fiction dressed up as something else, won't read things clearly labelled as science fiction. Here is where all the assumptions and preconceived notions about science fiction come in. Just as there are all different types of any other genre, there are plenty of different types of science fiction. People who don't want to read science fiction or have tried, but can't get on with it have usually encountered the 'harder' forms of science fiction, or the traditional 'Space Opera' form of science fiction. This scares them away and makes them unhappy and frowny when you tell them you not only read science fiction, you write it.
My own particular view on science fiction comes out of the television and film science fiction of the sixties and seventies mixed with the works of Aldous Huxley, George Orwell and HG Wells. To me science fiction is about character, metaphor, politics, social injustice and the human condition. science fiction is about morality, society, overcoming adversity. It is about hope, perseverance, and paying the price for ones actions. It's just set in space, or the future, an alternate reality or a dystopian view of modern society. This is the kind of stuff I think people who think they don't like science fiction need to read.
Here are some excellent examples of the science fiction I like to read, some contain real science and some do not. What they all ultimately have in common though is good story telling and writing style. They are books that made me think and they are books I could easily read again. Some of them you'll find in the SF section of the bookshop and some others you'll have to dig deeper for:
Frankenstein by Mary Shelley
20,000 Leagues under the sea by Jules Verne (see other works by Verne)
The Time Machine by H.G. Wells (see other works by HG Wells)
We by Yevgeny Zamyatin
Brave New World by Aldus Huxley (see other works by Huxley)
1984 by George Orwell (see other works by Orwell)
Earth Abides by George R. Stewart
Fahrenheit 451 by Ray Bradbury (also short story collections)
More Than Human by Theodore Sturgeon
The Stars My Destination by Alfred Bester
The City and The Stars by Arthur C. Clarke (see other works by Clarke)
Dr. Bloodmoney by Philip K. Dick (see other works by Dick)
Behold The Man by Michael Moorcock (see other works by Moorcock)
Slaughterhouse-Five by Kurt Vonnegut (see other works by Vonnegut)
The Dispossessed by Ursula K. Le Guin (also Left Hand of Darkness)
High Rise by J.G. Ballard (see other works by Ballard)
Dhalgren by Samuel R. Delaney (see other works by Delaney)
Gateway by Frederik Pohl (see other works by Pohl)
The Last Man on Earth anthology ed. by Isaac Asimov (out of print, but you might find a used copy)
Hyperion by Dan Simmons
Lilith's Brood by Octavia Butler
Grass by Sheri S. Tepper (see other works by Tepper)
Desolation Road by Ian McDonald (see other works by McDonald)
Air by Geoff Ryman
The Night Sessions by Ken MacLeod (see other works by MacLeod)
The Unit by Ninni HolmqvistThis is by no means an utter and complete list, merely a sampling of some of the SF I have enjoyed reading and I think is more palatable for people who are adverse to reading SF. Additionally I have not put "see other works" against all names because I haven't read any other works by this author as of yet. Exploration is always encouraged.
These are not "rule" as such, just the little mantra a tell myself regularly to keep me pushing forward instead of stepping backward.
Everyone claims they don't like Memes, but I am perfectly happy to have the opportunity for you to glimpse how I have become the person (writer/reader in this case) I am.
One book that changed your life? hmmm, well that could be several actually. Books change your life in different and often subtle ways. If you mean what books inspired me to write, I can narrow that down for you to the following:
I know I've said in the past that it was H.G. Wells's biography that inspired me to write Science Fiction. That is still true. Actually the writing bug got me much earlier than that I think with a biography of Benjamin Franklin. I read this book, Russell Baker's Growing Up, at about age 14, well after reading Wells. This book really cemented for me a desire to be a writer. Just afterward I started reading quite a bit of Ray Bradbury. With Baker's inspiring prose about his personal and professional life and Ballard's other worldliness tickling my creative centre the idea to write became firmly centred in my brain and it was at this time that I started putting to pen whole formed story ideas. I would say this book, in conjunction with a few others, was part of the waking the writer within.
One book you have to read more than once? When I was a kid had to see films over and over again. I think most kids do this. You can watch the same episodes of television shows a hundred times with as much interest as if you have never seen them before. Films are the same. You sort of feel like you are living in that world for that brief time and when you are very young, two hours seems like an eternity. Books on the other hand are harder to do this with. Very few, even books I really enjoy, make me want to read them over and over. Usually I have to wait at least a decade before I can contemplate reading a book again. Good books stay fresh in your mind. Their meanings and intriguing nuances stay with you always. When I was a kid I read Little Women and Heidi about five times each. That's the most I've ever read any one book. Not since then have I ever read a book more than twice, at least not as yet. There are a few I would say I will most definitely re-read in my lifetime.
Robert Graves's I, Claudius is an exception to my own rule I think as I read it twice in the space of two years a couple of years ago. I had also read it in my twenties. I am also in love with the television production and have watched it nearly every year for the past six or seven years. Yes I'm a little mental when it comes to this book. I even named one of my cats Caesar, the intention being to call him Claudius (he has a limp leg btw that was not intentional), but had to compromise with my husband. I could probably read this book another ten times at least. Yes I have a love of history, but Graves does play with it a bit here. This is indeed a novel and not a biography. He takes poetic license with the lives of his characters. The narrative does follow true events in the proper time-line. However, Graves weaves a spellbinding tale of murder and political intrigue that is not such much a record of the past, but more a mirror of it. The reader is so entwined with poor Claudius that you simply cannot put this book down. It is filled with wry wit and a perseverance of spirit that is rarely rivalled in reality or fiction. Claudius is not just an unwilling and witless participant in the forging of a dynasty. He is a survivor of the blackest depths that men (and women) will trawl to obtain power. This book brought me back to reading. I spent a few years not reading much or half heartedly. However, when I cracked this book I found my love of books again and through it my love of writing. It is certainly one of the books that changed my life and look forward to reading it again with immense 'relish'.
One book you'd want on a desert island? The above book certainly goes into this category. Presumably if you had only one book with you on desert island it would have to be something you wanted to read over and over. In that case it should also be a substantial book. I could say something like Shakespeare's complete plays or something of that nature. That would be an excellent volume to have on a desert island. It would certainly keep you going for quite a while. But I'm not going to say that.
The Silmarillion by J.R.R. Tolkien is a book I've read a few times. Not in quite a while, but certainly as a teen and in my twenties. A lot of people hate this book. I do not, obviously. To me it is as much a history as it is a collection of tales. You cannot read this book like a novel. It's a collection of ideas and bits of world building that are not necessarily linear. I've always been fascinated by this book. It has lots of hidden gems and bits of secret knowledge about Middle Earth and Tolkien's elves. In many ways I find it far more interesting than Lord of The Rings. It shows the darker side of some of the characters who appear in LOTR as benevolent beings. In fact it makes them far more human. It seems like a strange book to wish for on a desert island, but I reckon I could spend many a good hour picking this book apart. Teasing out the small anecdotes into larger more vibrant dramas.
Two books that made you laugh?I've certainly had a fair few chuckles whilst reading books of all kinds. These are two of my all time favourites though.
I read this at about age 15. I was doing summer courses and one of them was creative writing. Along with above mentioned books that inspired me in writing this is certainly one of them. It was completely impossible not to fall into Keillor's quaint storytelling style which has been subtly referenced many times in popular culture (narrator for the musical in Waiting for Guffman, Peter begins a tale in the prison episode of Family Guy etc). For those of you unfamiliar with Garrison Keillor's Lake Wobegon Days, Keillor had a radio show called 'A prairie home companion'. It was a variety show that featured music and drama. One regular feature was 'News from Lake Wobegon'. A fictional place where "all the women are strong, all the men are good looking, and all the children are above average". I believe this was the first collection of stories in novelised form. It's reminiscent of 'Our Town' without the overwhelming sadness. It's a poignant and hilarious look at small town life in America based on Keillor's own experiences growing up in the northern mid-west of America. The radio show ended for a brief period in the late eighties, but returned to the air only a few years later and can now be heard round the world.
I debated about this one, originally I thought I would put Gateway by Frederik Pohl. It's brimming with a New Yorkers sardonic wit, however it is also complex and dramatic and not exactly a side-splitting type of novel. Although, someone has beaten me to it I simply cannot put anything other than The Hitchiker's Guide to the Galaxy by Douglas Adams. Even if you aren't a sci-fi geek like me, this novel is just one paragraph of hilarity after another. That dry british wit and self-effacing humour is pervasive throughout the text. However, Adams's sardonic misadventure is not only a parody of genre, but in general of modern life. With particular emphasis on bureaucracy of all kinds and the power of the scientific communities. Simply put, it is brilliant.
One book that made you cry? Being quite an emotional person, a little drama and evocative emotion from a character will probably make me cry, but the one that still sticks out in my mind is the following:
Dan Simmons's Hyperion is his best work in my opinion. Full of drama, intrigue, adventure and action it is rich and complex. A beautifully woven portmanteau of seven characters making a deep space voyage and crossing an alien planet to reach a terrifying conclusion. Although it's part of a series, I was sadly disappointed by the sequel and other of Simmon's books. This book however is a triumph. Not all the personal stories will make you cry, but Simmons creates characters with such depth and pulls you into their stories so fully that you cannot help but become immersed in the tidal wave of emotions that tears through this book. It effected me so deeply that I had to stop reading it in public or else risk becoming so overwhelmed by emotion I would have an outburst. Seriously, I was practically bawling on the bust one morning on the way to work.
One book you wish you'd written? To be honest, I wish I had written nearly all the books on this list. To have such creative talent, to reach such perfection (in my estimation anyway) of storytelling ability and style that these authors possess would fulfil all my writing fantasies. But, since I can pick only one for the purposes of this meme here it goes...
J.G. Ballard's High Rise is one of my all time favourite novels and one I've read more than once. Ballard's brilliance, in this novel in particular, is taking something mundane, everyday and ordinaryand breaking it down into something dystopian. The human spirit is degraded in this novel, not through sex or violence but through class struggle. The high rise becomes a metaphor for a stratified society and within it the residents create a microcosm of the larger society that becomes twisted and fouled by human greed and lust for dominance. It's a truly gripping and powerful novel. One I could easily say I wish I had written.
One book that you wish had never been written?Originally I was going to say Fall of Hyperion the sequel to Hyperion above. It was such a disappointment and shattered all my illusions about the brilliance of Dan Simmons, who I easily could have become a love slave to based on that one book alone. However, it struck me that long before I fell out of love with Dan there was another writer who greatly disappointed me and perhaps far more deeply and irrevocably.
Stephen King's Insomnia was the book that ended my love affair with Stephen King. It also cemented in my mind that he should quit trying to write paranormal/horror and just write ordinary fiction that is a little twisted or dark. Insomnia sounded like a good idea and began with King's usual flare for character building and setting, but nearly a quarter of the way through not very much had happened or was happening besides an old man finding it hard to sleep. I did not have that problem and the first time in my life actually fell asleep with a book in my hands whilst reading. At this point I became fed up with the dual nature of King's writing. On the one hand he is utterly brilliant at writing a character and creating a setting. You really do get immersed in the world he creates, however, several of his more supposedly horrific or alien based plots just end up disappointing. After investing many hours into reading a huge novel one expects the effort to be rewarded with a stunning pay-off, but this is rarely so with Stephen King novels particularly after a certain point. To this day my favourite King novels are the regular fiction ones such as Delores Claiborne, Gerald's Game and Misery. Both The Shinning andThe Dead Zone, although technically paranormal do not rely on these as be-all end-all plot devices and the Eyes of The Dragon is possibly one of the best fantasy novels I have ever read.
Two books you are reading at the moment? I don't know if reading is the right word more struggling through. I've been trying really hard these days not to start a new book before I have finished the previous one or abandoned it all together. However, this meme catches me at a moment when I started reading a new book because the first book was getting on my nerves, although I have not abandoned it. Unfortunately the second book is not entirely what I hoped although I persevere.
The first of these is Alastair Reynold's Revelation Space. I have been wanting to read one of his books for some time as I've heard them exalted repeatedly by other genre lovers. However, it was not long into the reading of this book that I began to notice a distinct lack of style to the writing. I think the thing that annoyed me the most were the overuse of adverbs and week, passive narrative. Something I am acutely sensitive too since I've been told not to do it in my own writing. So it kind of annoys me that the very thing I've been given negative feedback for has not only been published but considered "best of genre". Beyond the quibbles about writing style, the narrative also lacks very little momentum. I do not mean there is no action, because there is, but in this multi-pov peppered story I find it very difficult to care about the main character and caring only slightly more about one of the others. At times the drama and tension and even the emotion is quite forced. I am about half way through and not really relishing reading the rest.
The second book is Nights of Villjamur by Mark Charan Newton. This book has been on my wishlist since it was published. Having finally purchased a copy I was hoping that 1-it would relieve my disappointment over Revelation Space and 2-would help me get over my disinterest for most fantasy. So far it hasn't been able to do either. I'm only into the first chapter after reading the prologue and so far, although there have been flashes of exceptional description there has been little else to capture my attention. I will press on in the hopes that this changes. It's not entirely bad though, there are some weird quirks like rarely using the posessive form (he she it). I should point out that I am not a huge fantasy fan though, however, if a book is written well that should not entirely matter. We'll see what happens.
One book you've been meaning to read? There are quite a few of those. So many books on my wish list and so many books I read as a teenager or young twenty-something that I would like to read again, because at the time I am not entirely sure if I understood them or appreciated them. Or simply because I cannot remember them.
Mockingbird by Walter S. Tevis is one of those novels that has been on my wishlist for decades. I'm not sure why I've been almost afraid to read it. It's supposed to be powerful and haunting. A novel about the dangers of failing literacy inspired by Tevis's own experiences as a professor of English. A novel set in a grim New York, my birthplace, of the future where knowledge is the provence of machines and man is just little more than an animal. Perhaps I am afraid of the prophetic nature of such a novel. Even though I have never read it, I can see it's influence in other works that followed. In some ways it sounds similar to Bradbury's Fahrenheit 451, a favourite of mine, and perhaps I am afraid it will somehow spoil or perhaps not live up to my expectation based on that comparison. Whatever the reason is remains a book I wish to read and lingers on my Amazon, Waterstones and Barnes&Noble wish lists.
So there you have some of the books that have shaped me, some of the books I am reading and one I really should. Like to see what others have said in response to this meme? here are a few:
The lovely CC--not to be confused with the other lovely CC--sent me a link to the NY TIMES (link not posted in protest against their pay-for policy, blah, blah, blah, stick-it to the man!) regarding the recent flutter of "I Write Like"controversy. Obviously this is just a bit of fun, a harmless web bot to play with, however, the creator has made a fatal flaw in not putting a big warning, pop-up window, underlined, blinking text to say so.
I think the problem is that you're dealing with Writers here. Like all artists they have massive egos. Sometimes they aren't even aware of how large and how fragile those egos are until you tell them they write like the most hated man in literature of course. Then you're done for. Writers fight back. The poor creator of the said web-bot has been inundated with the wrath of outraged writery types who all hoped his little bit of code would prove that they/we all write like their/our idol of choice and are therefore all geniuses. With the exception of Dan Brown of course.
There is no bit of software or algorithm that will ever be able to confirm your creative genius I am afraid. It's all subjective. So, let's all get back to our literary masterpieces and prove our talent with action instead of webbages.
BTW I Write Like Arthur C. Clarke, so eat them apples!
In 2008--the magical year I decided to have a writing career--I stumbled across the first ever Alt.Fiction writing weekend run by Alex Davis. The concentration was meant to be on Horror and starred Kim Lakin-Smith and Conrad Williams running workshops along with Alex. There was no theme as such, but somehow we decided it was zombies. Perhaps owing to the isolated feeling of the wintry Peak Distric valley--it being early November. It was quite a successful and helpful weekend.
Alex--being the amazing organiser that he is--organised another one for this year at the end of May bank holiday weekend. This way we could spend three nights in the excellent facility and spend the last night in a bit of an alcoholic/karaoke meltdown.
We had decided the theme would be werewolves at the previous weekend. Alex was again able to secure the talented Kim Lakin-Smith who joined us not only as the runner of a workshop, but for the entire weekend. Her workshop included very detailed facts on actual wolves and using those we created small snippets of fictional encounters. We also had a very helpful workshop on "Character through character" run by science fiction writer Tony Ballantyne. As our theme was pre-discussed a couple of the other writers came prepared with drafts of werewolf stories. Paul Skevington's was particularly good and I look forward to seeing it in print very soon.
The weekend commenced with arrivals in the evening at the Dove Valley Centre in the Peak District. It's a really lovely cottage that sleeps about 12, over two floors with THREE kitchens, bathrooms and a new studio space that overlooks the valley and makes for a very nice spot to do a bit of writing indoors. It's also surrounded by fields of sheep and cows, and frequented by the owner's dog and cat. There is also a swing, a barn and strange little pond. It's a very picturesque spot, well worth a trip to, and I believe the rent out the various portions of the cottage separately. They also run frequent art courses in the studio portion.
There was a bit of food, a bit of drink and lots of chat. On Saturday the amazing Emma (Alex's wife) made a fabulous breakfast with something for everyone. Then we slowly crept up to the studio for the first session with Alex in which we chose animals from a hat and had to turn them "were" and write a little piece on a first encounter or their discovery. I got "snake" which didn't seem like it would prove a very interesting animal to "wereify". I wanted something nonsensical like a bunny rabbit or something, but actually once I started thinking and then just writing the idea came quite quickly and I ended up with a nice little piece all about a man who turns into a weresnake on the Subway.
The next of Alex's exercises focused on werewolf mythology. Again we chose from a hat three or four of these myths about werewolves and used them to write a piece on how someone became a werewolf. We then partnered with someone and using a collaboration of our combined myths we created our own "facts" about werewolves.
After a hearty lunch provided by the lovely Emma and joined by Tony Ballantyne, we did Tony's workshop on Character through character. We partnered again and from a sheet we each chose a personality archetype. We then discussed how each would see the other, and then wrote a brief paragraph as one type describing their friend/colleague etc who was the other type. I found this particularly useful as in my current novel I am dealing with two main characters who often POV each other. Tony also read to us a werewolf story that he had co-written with another writer. Throughout the day we did feedback sessions on WIPs. Mine included and I gained some very useful advice from Tony and everyone else about my first chapter.
In the evening there was dinner, and alcohol and discussion. I ended up going to bed quite early as I was exhausted from the long yet fruitful day.
The Sunday heralded another awesome breakfast from Emma. Then a first session by Alex again, this time we chose genre tropes from a hat and had to incorporate them into an encounter with a werewolf. After that came Kim's excellent presentation on real wolf behaviour and a compelling story of how people readily accept wolves as evil and use them as scapegoats, perhaps even fool themselves and others into believing in wolf attacks that have never been proven.
We used the information to write a piece on a real wolf encounter. Then there was lunch, there was a bit of reading and feedback and then all I remember (sorry Alex) was me going for a very long nap in the afternoon and getting up just in-time to trek across the hills and fields using Brian Marshall's GPS to find the pub we were going to have dinner at.
The food was quite good at Ye Olde Cheshire Cheese Inn in Longnor, the nearest town to our cottage. Back at headquarters, after another trek in the mud, there was plenty of booze and LIPS provided by Del Lakin-Smith. Basically it was a very late night session of seriously bad singing, but loads of fun and severely entertaining. It ended with a group rendition of Snow Patrol's "Chasing Cars".
It was an a very productive and enthusiastic weekend for me. I enjoyed it immensely. Having been living in my novel for the past six months it was quite surprising to find myself able to think and write about other things on the fly. It's even possible I might end up with a werewolf short story after all if the bit I wrote for Alex's second day workshop is anything to go by.
Of course I have to thank Alex and Emma for amazing organisation, planning and catering. We did agree that we would give them a break next time and help with the cooking and carrying of goods to the venue. We're due for another session at Halloween this year. Which I wholeheartedly look forward to.
I really recommend this type of writing weekend if you can find one that suits your genre or local. Heck just start your own. With enough people it doesn't have to cost very much. We were in at about £100 a head all inclusive, but excluding transportation. It isn't even just the workshops that are really helpful to focus the mind and strengthen your technical abilities. It's the camaraderie and the feedback. Being able to just "hang-out" with other writery types for a couple of days is always an awesome experience. This type of weekend is a bit more intimate than something like a con, even a small one.
I was really impressed how everyone's writing had improved significantly since the last session in 2008. We all seem to be writing at a similar level and there was a lot of poetic imagery from everyone. Something I like to see in any writing. Looking forward to see what's been done with witches for Halloween.
(photos to come)
Writer of science fiction, founder of The Cola Factory speculative fiction writing group in London.

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